Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Sunday, October 23, 2016

Conductor Chuck presents The Runner: a first look at NTA's first novel


It's an odd set of circumstances that gave birth to - what I hope is - my first full fledged, honest-to-goodness, legitimate Science Fiction novel. While I can't really go into those details, for fear of unraveling one of the hooks of the whole book, I can say it was the random spelunking of Youtube and Reddit that led to this rough little sketch illustration. It would roll around in the back of my mind for a few weeks until, eventually, it would form itself a plot, and some characters. But there it would sit, in a proto-developed state, while I worked hard on building, writing, and illustrating Galactic Gun over at Neverland Tranist Authority.

Last year I dusted off the outline for this story, which had begun to nag at me again, in considering what I was going to attempt for NaNoWriMo, the National November Novel Writing challenge that tries to get participants to pen an entire novel in the month of November. But I put it aside to write a Sci Fi horror piece that would tie into the world of Galactic Gun. Little realizing that there actually was a way to creep myself out so bad I had to put The Marigold away until I could get my head better around it... without horrifying myself over what was coming out of my own imagination. 

 Let's just say I have a lot of respect for authors like Stephen King who write that crazy shit, but don't actually go out and do it.

Meanwhile, a couple years back, I had used my little Sci Fi romp to create a quick sketch for an assignment in a Graphic Design class. And now sitting up here in a new city, in another state, with no social life and a huge urge to create - which, no doubt, is my subconscious' attempt to keep me from losing it - I've started working up that novel legitimately, in hopes to see it published; by an established publisher or Kickstarter I don't care at this point. (Though, Del Rey, you've been my favorite publisher, so...)  

 Those of you that read Galactic Gun, and hopefully the little backup stories under each page that help to flesh out the universe of that comic, know that my "voice" is usually friendly and familiar; which, I hope, makes my stories easy to get into and inviting to read. I'm hoping I've captured it with this book, and yet still able to create a vivid word of tomorrow with a story that's both riveting and thought provoking; as all Sci Fi hopes to do.

I admit I'm undecided if I'm going to try and power this out in November, or try and take a little more time with it. I'd really like this to be good, as it's my first outing into real Science Fiction. But it's starting to pour out of my head really well, so who knows.

 And now, as a tease, but also looking from some feedback, I present to you the first chapter of The Runner; an independent Science Fiction adventure from the creator of Galactic Gun: The Adventures of Justin Bailey. And, Del Rey, if you're reading, I'm unsigned. Just saying.

 ***

     The city hung out against the emptiness of forever like a lit jewel in so much crushed black velvet. Looking out the window, as he brought his seat back to its upright position, Toru saw the streaks of night life whiz through the streets that twisted like a maze around the tall, colorfully lit towers perched on the edge of the coastline, tall and straight, against the inky night and its ocean reflection. He adjusted his tie and smoothed his blazer.

     “Konbanwa, watashitachi to hikō shite itadaki arigatōgozaimasu”, the intercom interrupted, in very awkward Japanese. “We will be landing shortly. Local time is 10:15pm. The weather is warm at 87 degrees and seventy percent humidity. This is the final destination of flight 2552. On behalf of the flight crew we’d like to welcome you to the Pan-Pacific Coast.” 

     Toru’s neighbor, a much older business gentleman, leaned over, seeing over the top of his glasses how transfixed Toru was with the sight of the city against the inky night. “Your, uh, first time here,” he asked in a rusty voice. 

     “Yes, it is,” he answered with an awkward smile. “It is…” he searched for the right word, “very beautiful.” 

     “Well, yeah; everybody looks good with the lights off.” He could see that Toru hadn’t understood his joke. “Seriously, it’s not bad. Now when I was younger – maybe a little bit younger than you – it was better. Of course, to hear my granddad talk about it, it was the last bastion of the great civil age.” 

     Toru didn’t understand his neighbor, but smiled politely. As the rumble of landing, and the subsequent taxi to the gate brought the jet to a stop he, like the rest of the cabin, stood, stretched, and started grappling for his items. As he reached for his bag from the overhead compartment his elderly neighbor turned to him again. “So, what brings you to the city; pleasure… or business?” 

     “Business. It is a short trip to make a delivery. But I am hoping to see the sights.” Toru gave his neighbor with a slightly apprehensive look. “I would also very much like to have real American pizza,” he quickly added. 

     “There’s a ‘Little Italy’ just east of the wharf. Put your nose to the air and follow the smell of garlic, you can’t miss it.” He reached into his coat pocket and pulled out a business card and a pen. Scrawling a name on it, he handed it to Toru. “Here, find this place. They have some of the best. Tell them Billy Mitchell sent you.” 

     Toru looked at the card and then back at his neighbor with a smile. “Ah,” he said with both surprise and relief. His neighbor tapped the side of his nose with a smile and, having no luggage, moved to the front of the jet and disembarked. Toru grabbed his bag and pushed his way through the other passengers but by the time he got to the top of the gate ramp, and into the terminal, there was no sign of his neighbor in the busy airport. He tapped the front of his blazer and felt, with relief, the small box in his inside pocket. Giving the card a full once over, he dropped it into the pocket alongside the box and, slinging his bag over his shoulder, straightened his tie and began to make his way through the crowd of hustling travelers. From another pocket he felt the vibration of his phone ringing. 

     “Kon'nichiwa, koreha teddesu. Ikaga nasaimashita ka?” He was answered by a strong, confident voice. 

     “Good evening, Toru; I trust you’ve landed safely and are in the city?” 

     “Hai, Mister…” his voice trailed off in hesitation. “I have, thank you. And I have met our friend. He was most helpful.” 

     “Good to hear. Now I don’t want to keep you, so you better get heading out of the airport and on your way. And step carefully Toru, it’s a beautiful city, but it can be dangerous. I can’t always keep an eye on you.” And with that the caller hung up. 

     Toru looked up from his phone and into the crowd. He wasn’t sure if he had understood that last line properly, but suddenly felt as if he was being watched. A little unsure, he dropped the phone back into its pocket, and gripping firm his bag he strode out of the airport and into the warm moist air of night in a foreign city. 

     From a bank of pay phones across the terminal Toru’s neighbor watched him leave. Smiling, he rubbed his neck just behind his ear and let out a little sigh of discomfort. It was then he noted the figure skulking behind some large potted plants in a light blue wind breaker, appearing to be reading a newspaper. He gave him a smirk and then joined a small rush of travelers making for the men’s room. The man behind the paper watched over the next few minutes as other men came and went, but not the old man who had been on the phone, the man he was there to intercept. 

     As the lull between arrivals settled in the terminal, the man behind the paper became nervous and agitated; his quarry had still not come out. Folding and tucking his paper under his arm, he crossed the hall and entered the men’s room, drawing a small pistol from under his winder breaker; a suppressor fixed to its barrel. 

     The men’s room appeared empty and quiet; save the unique smell that only an airport restroom could know, and the quiet hum of fluorescent light fixtures. With his gun aimed, he tested each stall door to find them also empty. Getting angry, he checked his memory over the past few minutes, trying to think if he could have missed something. It was then that he saw the cuff of the coat sleeve just visible under the paper towels in the wall mounted waste basket. 

     Dropping his pistol back into its pocket he pulled the coat out of the trash, sending crumpled paper towels everywhere. Searching, he found the coat pockets were empty except for a lump of something rubbery. He pulled it out and unfolded it to find it was a face mask and a pair of costume glasses. 

     “…the fuck,” he uttered in frustration. 

     “’The fuck’, indeed”, came the voice from behind him. He tried to go for his gun, but before he could draw it fully out his assailant was all over him. The first strike landed with incredible pain into his left clavicle. Then it felt like a shoe heel had his wrist pinned to the wall, the pain of it digging in caused him to drop his pistol. Then it was a barrage of fist strikes until he could no longer hold himself and began to tumble. That’s when the arms closed in around his throat from behind, choking him just enough to make it the only thing he could focus on. 

     “What’s the deal, Jimmy; getting paid to creep on old men too much for you to handle?” 

     Jimmy gasped desperately. All he could see was the blue and white tiled wall of the men’s room. He tugged at the arms, but they had a gorilla grip. His vision was dimming around the edges. 

     “I thought a hit man like you was so much better than this, Jimmy. I hope someone isn’t paying you for this kind of piss poor service. Are they?” 

     “Screw… you…,” Jimmy managed between gasps. 

     The arms relented a little. “Oh, you’re right, Jimmy boy; this isn’t quite fair, is it?” And with that the unseen assailant shoved him face first into the wall. Jimmy collided with it and tumbled to the ground, choking and grabbing at his throat. Wildly groping, he patted the floor for his gun, but it wasn’t there. He looked up to the shadowed form of his attacker, backlit from the mirror lights. His eyes still blurry from the assault, Jimmy blinked rapidly to try and see the shadow better. His attacker wore dark glasses and a red mock turtleneck under a black leather jacket. His hair was dark and slicked back. 

     He now had Jimmy’s gun, and was aiming it at him. “Holy shit,” Jimmy said through coughs, “what the fuck, man?! You’re not supposed to be here.” He pointed to the disguise where it had fallen to the floor. “Look, man, he gave me the slip. He wasn’t who you said he was.” 

     “You ever been on safari, Jimmy? I mean really hunting; in the wild, among the brush, against a foe who could quite literally rip you to shreds with razor claws?” 

     “Wh…what?” 

     “I thought not. You see, Jimmy boy, who he was wasn’t important. It literally didn’t matter. If you were a good hunter you would have seen your opportune moment and seized on it; earned the money I had paid you. But you failed miserably to see that opportunity, no matter how many I gave you.” 

     Jimmy’s eyes went wild with a realization. He threw up his hands to plead as his assailant drew the pistol on him, but he never got the time to utter a single word as the pistol flashed and made a small pop that echoed in the men’s room. Jimmy went limp. 

***
     Night in the city differed very little from day; maybe just a little darker with the limits of the LED street lights blasting brilliant white light into focused spotlights every few feet down the crowded sidewalks. Otherwise, business carried on nearly twenty-four hours a day, seven days a week. Well, for the working class, anyway. Not that Manny minded, too much. At least, not now. He had a job that kept him on his toes, kept him paid, and helped keep his mother and his little brother and sister fed and the lights on in their small apartment. 

     People pushed past as he locked his bicycle to the rack and adjusted his black canvas messenger bag tight to his back. Approaching the lobby doors to the large glass encased office building he paused to check his reflection in the large lobby window; making sure he didn’t look disheveled: keeping the company image that Personal Allied Couriers insisted on. The one his station boss regularly yelled at him, and all the other runners about; image, image, image – that was the key to impress the clientele. 

     He smoothed out his yellow leather company jacket with its black striping down the sleeves and gave it a once over where his name was embroidered onto it under the company logo; Manuel Costilla. Against the all black dress code of Pacific Allied Couriers the jacket practically glowed. It was probably the single nicest thing he had ever owned, and he took care of it as such. Smoothing back his hair he entered the building and made his way to the security reception desk. 

     “Good evening, ma’am,” he said to the uniformed attendant behind the counter. She looked up from her desk with a glassy eyed stare. “I’m from Pacific Allied Couriers. I have a package for Mr. Bruner of Texacorp in suite twenty-six.” 

     The attendant blinked a number of times as Manny’s words registered and a very artificial smile parted her lips. As she shifted the slight whisper of pistons could just barely be heard from under her. She bobbed in very broken movements as she addressed him. “Hello. ‘Pacific Allied Couriers’. You are here to see. Package. In suite. ‘Texacorp’. Is that correct?” 

     “Oh, usted tiene que me bromeando,” he said, rolling his eyes in frustration. “No, my name is Manuel Costilla. I am from Pacific Allied Couriers. I am here to deliver a package to Mr. Bruner. Mr. Bruner Works for Texacorp. Texacorp is on the twenty-sixth floor.” 

     There was a small pause as the attendant sat motionless, except for her even spaced blinking. “My apologies. ‘Manuel Costilla’. I will let. ‘Mr. Bruner’. Of. ‘Texacorp’. Know that you are here to see him. Once he has confirmed your appointment I will send for an elevator to take you to the. Twenty-sixth floor.” Her head dipped and turned in a very mechanical motion as if she were responding to someone that wasn’t there. After a moment she turned back to Manny with her vacant stare and artificial smile. “Please proceed to elevator. Three. ‘Mr. Bruner’. Is expecting you. Thank you for your business at Jegug Tower. And have a nice evening” 

     Manny walked past the front desk toward the hall of lobby elevators where the chime of the arriving car sounded out. Looking past his shoulder he could see where the attendant ended – at would have been her waist, and where the pistons, supports, and cables ran up from the floor and under her uniform jacket. She returned to a resting position that simulated her reading some imaginary book, log, or display. 

     Manny didn’t know what Texacorp did, but even for the smallness of the offices it had they were well decorated, for sure. The carpet was bright and clean; complementary earth toned colors with an interlocking geometric pattern in red running down the middle, the darker borders hugging the walls. The front desk was either made of real wood, or a laminate so good you needed to be an expert to really tell. The sitting chairs were plush and very inviting. 

     Long, the front desk sat facing out against the wall that separated the lobby from the rest of the office. It sat off centered some, with a heavy wooden door that led to the rest of the office. The rippling of the small glass window inlaid in the door caught the shadowed movement of people on the other side, without revealing anything more than the office was busy. The receptionist – a real receptionist – sat behind the desk, partially hidden, doing paper work and occasionally checking her computer monitor. 

     “Ole, Manny,” she said in a flat, awkward Spanish, looking at him over her glasses, “coma estas?” 

     “I’m good, Genie, thanks. How are you?” 

     “Me, too,” she answered with a smile, partly relieved she wouldn’t have to put any more of her spotty street Spanish to the test. “Mr. Bruner’s documents?” 

     “Yes, ma’am.” He pulled his bag around and fished out a clipboard like box with a small screen and a couple lights on the front of it. “They’re secure with confirmation receipt, so I need Mr. Bruner.” 

     “Not a problem; let me ring him.” After a quick exchange she set the phone receiver back on its cradle. “He’ll be out in just a minute.” 

     Manny nodded and scanned the lobby. He’d been here a few times, but he always enjoyed the look and feel of the place. And, inevitably, he’d be drawn to the view from the huge window that made up one wall of the lobby. Stepping closer he peered out into the night from the twenty-sixth floor out into the city. The buildings were bathed in wet, watery hues of blue and violet. Down below the black streets twisted around them like a maze of yellow dotted paths that shuffled all manner of cars, trucks, and other service vehicles about as people darted to and froe. 

     “It’s like a big living watercolor painting, you know,” he said. 

     Genie stopped her work and looked out the window across the night sky. “Huh, I’ve never heard it described like that, before. But, yeah, you’re right; it does look a lot like a big watercolor.” 

     “I wonder what it must have looked like back when it was bigger; had more buildings. You know,” he said looking back at her, “when it was still a country.” 

Genie continued to work. “I don’t know. I immigrated here from the Midwest territories a few years back.” She looked up at him. “I just wasn’t meant to work a state farm, know what I mean?” 

    Mr. Bruner came through the office door into the lobby like a man who was relieved after hearing good news. “Manny the man,” he exclaimed jubilantly. His tie was lose and a bit crooked, and his sleeves rolled a little off his wrists. He wasn’t all the old, but seemed to be, just the same. Manny often wondered if it was the price of success. 

     “Hey, Mr. Bruner. Your documents cleared and I got them here as fast as I could.” Manny held up the sealed clipboard like box in front of Mr. Bruner. His smile got even bigger as he pressed his thumb against the little screen. After a moment a small green light lit and the box unlocked. Bruner opened it eagerly and clutched the manila envelope inside. 

     “You are a life saver, Manny,” he said, patting him vigorously on the shoulder. “You know that, right; a real life safer. Genie,” he said, turning to the desk, “call Bob and tell him to get the team together. And get on the horn to that place downtown that makes those awesome salads, would you? Find out what they serve for breakfast and how fast they can get it here.” 

     “For how many,” Genie asked, as she lifted the receiver. 

     “Ask Bob what the final head count will be.” He turned back to Manny. “Dude, you have no idea how much you’ve saved my ass today. You want to stick around and grab a bite?” 

     “No thanks, Mr. Bruner. It’s late, and this was my last delivery,” he said, turning to go. “Besides, my brother and sister will be getting off to school and I need to help my mom before she’s off to her shift. But thanks for the offer.” 

     “Ever the busy, responsible guy, huh?” He dug into his pocket and pulled out a small wade of bills. Manny tried to hide the shock of that much money in someone’s pocket. These weren’t small notes; blue bills, orange, and yellow meant some serious cash. He tugged a couple out and stuck them into Manny’s hand. “Here, get yourself a real breakfast, mister working man. You’ve sure earned it.” 

     Bruner turned on his heels and quickly went back through the office door, digging eagerly into the envelope Manny had just delivered. Manny stood there with the crumpled bills in his hand, a little unsure of what had just happened. Genie gave him a congratulatory smile and went back to her work. Outside in the elevator lobby, as he waited for a car down, he smoothed the bills out as crisp as he could and, taking his wallet from his inside jacket pocket, placed them alongside his small green backs; all faced and turned the same direction. 

     At the bike rack Manny pulled his mobile from its belt holster and unlocked the screen. Tapping a few times, he opened the Pacific Allied Couriers time card screen and punched put; his shift finally over. He closed the application and tapped his contact list. After a scroll, he found the number he was looking for and brought the phone up to his ear. 

     “Hello? Yes, I’d like to order a large pizza for pick up, please.”

Monday, October 15, 2012

Falling of the Scribes; Revolutions in Graphic Design - then and now


Cycles...
No, not those cycles. I meant event cycles.
Cycles are important; both in sales, and in history. Nowhere, in Graphic Design, can I see that more than in the comparative trends between the invention and inception of printing, and the Graphic Design trade, as a whole, back in Europe's Renaissance, and the growing domination of the World Wide Web and then new wave of conversion to the electronic medium.
 
Chapter six of Megg's History of Graphic Design – The German Illustrated Book (p. 80-97) - opens with the account of the push back that the new printing press got as it entered into the public eye; offering its books, readers, and cards. In Genoa, scribes sought to have printing band. Parisian Illuminators tried to sue printers for damages; claiming unfair competition. These groups worked to convince the public of print's inferior standard to calligraphy. An appeal, in 1492, to the soon to be Pope Julies II, got him to even order books for the Vatican library be transcribed from their printed form, just to be included.

Wait; maybe we should back track a little, here? After all, many folks, today, may not understand all the fuss over printing. And, in some ways, that is part of today's little review.
Portrait of Jean Miélot by Jean Le Tavernier 
 
You see, until Gutenberg's printing press – and all the subsequent presses to follow - books were transcribed and illuminated by hand; using skilled, sometimes monastic, labor. Regardless if by clergy, or skilled artisan, the creation of books was, then, a time consuming, laborious task. It was in the hands of the very skilled elite. They, pretty much, controlled the flow of knowledge.
And if there's anything Schoolhouse Rocky has taught us, during every Saturday morning sugar infused cartoon fest, it's that knowledge is power.

In all the cases of resistance to printing, you saw a small, specifically skilled set of folks poised to lose, not only their livelihood, but a hold on power and influence in their society. And, as the new technology developed, this would later expanded to the illustrator; who, until the early 1500's, enjoyed the security of the press not being able to add pictures to text. (Until then, books were printed, and illustration, and other flourishes, were then added in by hand, directly to the page.)

Despite all the arguments, we pretty much know how the whole printing thing turned out. Today we enjoy books, magazines, comics, and a vast array of printed advertising. But, in the past few years, there's been a push from a new technology. A new medium of Graphic Design has entered the foray, and in a huge way; reaching not only into how and when we get our books, but also our news, advertising, and even our mail.

The Internet.
 

In the past decade, the World Wide Web, first thought of as the “Information Super Highway”, has grown from chat rooms and picture sharing into the dominate force of the dissemination of news, information, and entertainment. And this has had much the same impact, today, as those poor scribes felt some 600 years ago.


In June of 2011, the Newspaper Association of America reported the slide of print sales by nearly 10%; dropping it to near 1983 levels, as the trend of online news took to full swing. And,with that drop, too revenues associated with print advertisers. The then chairman of the NAA, John Strum, however, did report that online revenues made up for some 15% of newspaper ad sales.

Currently, most major publishers of periodicals now offer both a hard copy – via news stand or subscription, and an electronic version that can be viewed on any home PC, tablet, or smart phone. And, analysts predict, is where the largest bulk of business is now pushing.

Add to that the surge in the new online “blog”, and the availability of anyone, and everyone, to suddenly find and share information, and you might be able to see the parallel between the scribe of then, and the newspaper men of today.


Sure, but let's see him dog ear those pages.
But, what about those books, you might be asking. Well, there's another interesting story. Foner Books reports that government figures tracking the overall sales of books has fallen, gradually, and is currently down 23% since 2004. On the flip side, the Guardian reported, in May of this year, that e-book sales were up nearly 366% in the UK; offsetting the decline in printing. In August they reported that, for every 100 printed books Amazon sold, it sold 114 e-books for its popular Kindle e-reader. In the Unites States, Mashable Media (www.mashable.com) reported, also in June, that e-book sales overtook hard cover sales for the first time, ever; up over 28% from this time last year. (Audio books saw an even greater rise, they reported; climbing nearly 36%.)

These trends, of course, aren't without their nay-sayers. Corespondents for old news agencies are quick to point out that most of the online reporting is just a regurge of their work. Most avid print companies point out the limits of e-readers and e-books over traditional print media.
 

This was what my grandpa thought of as a "reader".
Myself, like many American, as well, I'd venture, readers world wide, still prefer books and comics on paper, under a cover, free from the limits of batteries, to be read anywhere, any time we want. For me, as many others, print media is just more comfortable; whether tactilely, or esthetically. Trends may come, and go, but we'll always prefer our books and magazines.

The trend, though, is here to stay. And it's far reaching. My degree course is now called “Graphic Interface Design” (GID), for example. Courses still cover print, but mostly focus now on the new media of internet design; including on online publishing, web design, and marketing. The tools of the trade have changed; from cut ups, cameras, and paste boards to Adobe creative software like In Design, Photoshop, and Dreamweaver.

Typography has now a catalog of thousands of type faces to choose from. And, thanks to the nearly unlimited canvas of the web browser, layout and design has expanded in never before thought of ways. All this new and easily available technology and tools at the ready, have – much like the scribes of yore – taken the power out of the old print giants, and in control of the young, fresh, upstarts.

As in the days of the scribe and hand illuminator, the power has started shifting, driven by new technology, in the field of Graphic Design. Old, established print houses are clutching at their power and prestige slipping away, taken by the new online media of the Internet. It will be interesting to see how the impact of this, and of the newly empowered independent publishing front – also Internet powered, will affect the markets and media, as well as the spread of ideas and knowledge.
 

Monday, October 8, 2012

Picturing a thousand words; the Graphic Design of language in the 21st century


This past week, in my Graphic Design history class, we've been going over the creation and development of writing; from its inception all the way up to pretty much now. There's been a lot on type, movable type, characters, alphabets, and how they've changed, over the generations; mostly the evolution from pictograph to the modern abstract representation of sounds.

No doubt scholars, as well as my fellow class mates will go on about aspects of these changes. There'll be talk about Chinese calligraphy, spelling, the standardizing of presentation, and so forth. And these are all very noteworthy, sure. But me? Well, as always, I've sort have moved a little right field, again.
The humble, ancient beginnings of Amazon;
you know, before the internet.


You see, what I find most interesting about the written language - as a whole, at any rate - is how cyclical its progress has become. To get this, we need to go back to the beginning of the written word.


Bulgarian Magura cave painting, which may, or may not,
depict the world's first commuter report.








Writing is a convention of necessity. Back at the beginning - any random neolithic french cave, for example - the primitive act of artistic iconic expression... cave paintings... was good enough for the more simple concepts of nature, the hunt, and so on. It was a vocabulary that could reach just about anyone that saw it. Bison were bison, hunters were hunters, and so on. Rudimentary, sure; but very useful, and practical.

Of course, given time, family groups split, grow, spread, and settle. And, much like how these groups become larger hunting cooperatives, nomadic tribes, and take their first steps into becoming a village, the ideas and vocabulary they share grow with them. There's a need to keep records, divide up resources to meet needs, etc.


Hieroglyphic inscription reads; "there once was a pharoh
from Nepal who had only one hairy..." and the rest was
lost due to damage.
We can easily watch, as these groups separated and settled, how each region went about developing written communication. Ancient Egypt had two forms of writing; Hieroglyphs - for the regal, official stuff commemorating tombs and public works, and a more accessible style known as hieratic - equitable to a cursive style. In Asian cultures, pictograms slowly developed into the various forms of kanji we see, today. In fact, it's argued as much that just about the whole of all written language has risen from such origins.

Guess there's something to all the talk of derivative works, huh?

Hey, it's all Greek to me.
At any rate, the concept of written language took off. And boy did it. As villages took to towns, which grew into cities, then city-states, and off into sovereign countries, the written word became as unique and diverse as the separate cultures that created and used them.

But, for me, as a budding Graphic Designer, here's the kick...

Today the world has sort of run out of room. That is, we're becoming a giant global society. (I'm writing this for a Graphic Design class, not Social Science; I'm not going to get into all the political stuff, here.)  As cultures step all over each other, what with business, travel, and all that, there's been a growing need for a simple, universal, written vocabulary. Something that can tell anyone, anywhere everything from "this way to the men's room", "wash in cold", and "don't wizz on the electric rail".

Or, is that "don't touch the electric rail"; I'm always a little bit fuzzy on that one...

So, where do we, as a global society, turn?

Well, yes; sort of. But, more specifically... Which, I guess depends on how you look at it (Yep, full of puns, all the sudden.)... icons.

Even if you have no idea what the words are, I bet you know where to get some coffee.

In today's crashing cultural world - mostly found in the throws of Europe and Asia - signs have begun the shift from long, multi-language monstrosities to more iconic representational pictographs; a trend started some years back in the fashion world on the care tags.

So, what we have, now, is this fascinating trend where writing, to meet the challenges of breaking language barriers, has come full circle back to the earliest of days in its history - the pictograph - to convey basic instructions, alert, and inform. We're back on the cave wall; not because of a simple vocabulary, but to bridge an ever complex cacophony of rich ones.


You have no idea how confusing
this sign is in Scotland...

Ironic? Perhaps. Even if this is our best answer, though, it's by no means an easy one. After all, you still need to figure out what symbols get applied to what words, or actions, to say the most to the largest amount of people. And that looks like a job for a Graphic Designer!

A new world of talking pictures? Man, I love my work.