Monday, July 6, 2015

Station House Radio: Got You Covered

They say that imitation is the sincerest form of flattery. True, or not, the cover song is the hallmark standard of the recording industry.  And while not all of these are worthy, they are all... sincere. Station House Radio salutes the cover song with the good, the bad, and the goofy.

As always, check the playlist for band links where available.

Let's hope this isn't a wreck.









Playlist

"Beautiful World" by Devo
covered by Tone Tripper

"Oops, I did it again" by Britney Spears
covered by The Wall

"Gin and Juice" by Snoop Dogg
covered by The Gourds

"White Wedding" by Billy Idol
covered by Abeny Park

"Land of Confusion" by Genesis
covered by Katzenjammer

"Hotel California" by The Eagles
covered by Alabama 3

Wicked Games by Chris Isaak
covered by Unwoman

"Ring of Fire" by Johnny Cash
covered by Dilana RobiChaux

"Goodbye Blue Sky" by Pink Floyd

"Killing an Arab" by The Cure
covered by The Cow Exchange

"Godzilla" by Blue Oyster Cult
covered by Riddle Me This

"I'm on Fire" by Bruce Springsteen
covered by Miracle Mule

"Do You think I'm Sexy" by Rod Stewart
covered  by The Revolting Cocks

"Gotta Get Drunk" by Willie Nelson
covered by Gas Huffer

"Careless Whispers" by George Michael
covered by Seether

"Head like a Hole" by Nine Inch Nails
covered by Eddiebangs

"Time after Time" by Cyndi Lauper
covered by The Gandharvas

"Take on Me" by A-ha
covered by ADD Music with The John Benjamin Band

"Friday" by Rebecca Black
covered by Crash City

"It's the End of the World as We know It (And I feel Fine)"
covered by Great Big Sea

Monday, June 29, 2015

Station House Radio: Off to the Races!

And we're off! 
New music Tuesday is upon us, and it's time once again from a grand tour around the beautiful musical landscape with Neverland Transit Authority's Station House Radio as your traveling sound track.

There will be fast straight aways and mellow turns as we make our way acrossthe gorgeous countryside of tunes, make our way to the tracks for an afternoon of fun, before heading back to the station.

So, won't you join us?




ALL 'BOOOOOOARD!



As always, here is your playlist. Follow the links - where available -
to learn more about this week's musical guests. And,
as always, thanks for riding!

Playlist
"Where the Devil Don't Go" - Elle King
"Kingdom of Rust" - Doves
"Now's the Only Tim I Know" - Fever Ray
"Rockit" - The Gorillaz
"Tiny Japanese Girl" - Savlonic
"Little Lights" - The Punch Brothers
"The Hello Song" - Animaniacs
"Choke" - Hybrid
"Stranger" - Ben Caplan and the Casual Smokers
"Undone Lullaby (The Cure vs Korn)" - DJ Schmolli
"Good Luck" - Basement Jaxx featuring Lisa Kekaula
"Raindrops" - Kalli
"California" - Jay Farrar
"E=MC2" - Big Audio Dynamite
"The Way We Move" - Rise Robot Rise
"Dragons" - Caravan Palace
"Menilmontant" - Michel Saga
"Storm" - The Yoshida Brothers
"Shake it Out" - Florence + the Machine
"Beautiful Home" - Clothesline Revival

Tuesday, June 23, 2015

From the Conductor: Detailing my Scifi

No matter what we want to say we all have been influenced by, and continue to be influenced by, something from our childhood.

No, no... wait; I promise this isn't going to be anything like one of THOSE posts. Far from it; this is the confession of an old school nerd and his first real playset, the 1978 Millennium Falcon.


Actually, to be more specific, the detailing inside the old Falcon and the clever way they got around its interior, and all its control panels with simple, bright decals and cardboard flats. Despite all my learning over the past thirty seven years in hardware, controls, and how to render them, when it comes time create something, I tend to fall back to my days before double digit ages, when my gleeful child mind would adventure with Han Solo and Chewbaca aboard the old freighter bound for who only knew.

Let me show you what I mean. Here I am working on an upcoming page for Galactic Gun, and Justin needs to be punching some buttons onto an access panel to get into the hangar to get his ship out and underway.


Pretty simple, right? Just get out the old ruler and what not and pen one up. But, no; not for me and the inspirational rock that were my old Star Wars toys. Quick, into a new file and stack up some siple shapes!


The first step is fairly easy; providing you already have a basic idea in mind for what you're going to slap up there. In this case, a hangar access panel; which will need some buttons, maybe a camera lens, and a speaker. Why? Eh, don't try to suss it out, just go with what you think works. Once you get what you want in the right place, you need to add some details.


Here I've dropped in a few shadows and some highlights, and given the speaker a texture Doing so is actually really easy. Direct details go right on the object (You can use the grid lock to make sure you don't get any stray strokes, anywhere.), and secondary shadows can go on the shape underneath. After a few easy minutes and a few simple steps, you'll end up with something like this...

Pretty nifty, huh? Once you have this, saved as a PNG or a GIF, you can drop it right into your image, like so...


Here it is with some perspective added to make it fit just right. But how does it fit into the entire page at scale at a glance?


Ta-da!

Okay, okay, obviously this isn't for everyone. And there will be times this kind of short cut won't work. But, hey, it's a fun throwback to a innocent time, and something I enjoy as both a creative exercise of design, and a tribute to something that's inspired me a great deal.

Enjoy, and keep on creating!

Station House Radio: Meanwhile, on the Platform...

Well, as No.1 Run makes its first - and successful - rounds down the line, the next batch of goodies are waiting eagerly back on the station platform for the next arrival. They've packed with them good sounds, stories, and some merriment for your listening pleasure.

So, hop on board, find your seats, and get ready for a scenic journey through the rolling plains of the musical landscape. Your ride begins here...




All 'Board!


Playlist
"I Say Fever" by Ramona Falls
"Bald Onions" by Mango
"Meet Me in Warsaw" by The Tiger Club
"Underwear Goes Inside the Pants" by Lazyboy
"Mehnei Rachi" by Mumford and Sons with Laura Marling and Dharohar Project
"How can the Laboring Man (Find Time for some Culture?)" by Martini Ranch
"Morganna" by Yuki Kajiura
"A Bar in Amesterdam" by Katzenjammer
"I'm Pau" by Ape
*Mandatory Mashup*
"Baba O'Miley" (The Who versus Miley Cyrus) by Mr. Taylor
"The Devil's Address" by Marizane
"Hotline" by Jet Set Six
"Midnight Sun" by Hubert Kah
"Where has Everybody Gone?" by The Pretenders
"Step Up" by Da Hikk
"Your Protector" by Fleet Foxes
"Dynamite Bill" by Peter Mulvey
"Iron" by Woodkid
"Art of Love" by The Art of Noise

As always, please make sure to keep your arms and legs inside the train at all times. And hang onto your hats and glasses, 'cause this here's the wildest ride in the musical wilderness!

Monday, June 15, 2015

From the Conductor's Office: tune in to Station House Radio

The mighty locomotives of Neverland Transit Authority run on three very vital things: imagination, determination, and...

MUSIC!

My personal collection of music spans some nearly three thousand discs, and an odd assortment of digital files from all over the past one hundred years and many different countries and cultures. They not only help turn the gears here at NTA Comics, but they also add spice to my life, and context to my soul.

It's often been my dream to share this passion for music with as many folks that will listen. And now, thanks to the technology of the 21st century, I can!

Each week the staff at Grand Central Station will comb the archives of playstock to assemble a fine ninety minute, or so, musical program. Sometimes this will be an odd jumbling of interesting sounds. Other times it will be themed.

So, as of now, Station House Radio will "broadcast" once a week via our Mixcloud channel. As we progress in our endeavor, we hope to fine tune; so keep a sharp ear for announcements from The Conductor's Office about the station.

And now, Neverland Transit Authority presents Station House Radio: No.1 Run...


As for this week's show - No.1 Run, here is the playlist:

"One the Air" - Peter Gabriel
"Velvet Elvis" - Stir
"Standing on the Edge" - Operatica
"Living on the Corner of Dude and Catastrophe" - MC Frontalot with Brad Sucks
"Rescue Me" - The Escape Club
"What Makes a Good Man" - The Heavy
"Call Me, Call Me" - Yoko Kanno and The Seatbelts
"Cup of Brown Joy" - Professor Elemental
"O' Death" - Lauren O'Connell
"Slow Show" - The National
"Roll Over" - Kirby Krackle
"Unicron (The BMGFX remix) - Vince DiCola
"Mexico" - The Staves
"Man without Skin" - Boy Hits Car
*Mandatory Mashup* "Human in St. Petersburg"
(The Killers versus Supergrass) - mixed by Mighty Mike
"Road is Long" - The Lost Patrol
"Infested (Darwin Goodman mix)" - Course of Empire
"In the Black" - Marian Call
"Moscow, Idaho" - Redcar
"Pretty Girl" - Juno Reactor

Station House Radio will usually broadcast every Tuesday, except for special occasions and preempted events. As always all copyrights are held by their owners and this is offered not-for-profit. Please visit and patron each artist; linked in the playlist when possible. And don't forget to open your ears, and your heart, to new sounds every day!

Monday, June 1, 2015

From the Conductor: Storytelling in the hyper age...

On the onset, your friendly neighborhood Conductor, as well as all of Neverland Transit Authority, stands behind, beside, and with the rights of everyone to explore their own personal identities, and we voice our continued belief that no one should infringe on those rights to do so if they are carried out respectfully of those doing the expressing as much as those be expressed upon.

This is just the need of one creator to talk some about his struggles trying to be a decent human being and a strong storyteller in the age of hyper sensitivity and personal identification.

Identity, gender, gender issues, and the rights of various individuals are forefront and paramount in today's world. That's not to say it never was; just that is, now, more than ever before. With the slow shifting of American culture to a place where some 60% of Americans now support "gay marriage"*, it's fair to say that these topics are now a political and social set of hot buttons... to say the least.

And most of that, these days, are on the social injustices and inequalities that women and the LGBT community still have to deal with; sometimes with lethal consequences. And I, in no way, want to discount that, at all. But, I'd like to take a minute, or two, to express my frustration over the situation. Partly how upsetting it is to see these things still a problem for The United States of America in the 21at century, but also as someone who is both culturally and genetically a binary person.

As a person of this upbringing, it can be sometimes very hard for me to interact with someone whose phyiscal signature is one way, though how they act and conduct themself may be totally opposite. (Again, I'm stuck using the only vocabulary I know, here. My apologies.) Often this has led me to say some pretty dumb things, and behave rather clumsily in social settings. (And if you've ever seen me at a social function, then you know how odd it can be to see me get tripped up.) 

However, I don't ever want to shy away from percentages of potential readers; not for the sake of future possible sales, but for the idea of new stories to tell, new people to reach, and new ideas to be shared. That being said, it can be kind of daunting, these days, to be a straight white guy trying to be creative in a graphical narrative.

For all its repugnantness, Gamer Gate and its backlash do, sometimes, illustrate the fear that some of us have about opening ourselves up to new characters and story potentials. The threats and concerns of women in the video game industry are real, and credible, to say the least. At the same time, it can be hard to script any sense of realism if, when doing so, you get block back like:


Now, Anita Sarkeesian may have a point when she argues "Also the 'it's realistic for enemies to sexually harass female characters' excuse is nonsense in fantasy games filled with ghouls & wraiths." But when Catwoman goes diving into a city block that is occupied by hoodlums and thugs, are we not supposed to expect that these machismo muscled headed dick minded criminals aren't going to throw those kinds of insults? 

As a point of reference, The Arkham series is part of this new gritty, adult realism with Batman, and the games are marked and advertised as such.** So that may mean that a crime fighter game and a dragon hunter game might not be standing on equal footing.

But then, I'm a straight white man; there's no way I could know what is going on in the mind of anyone not me when I confront the same images that anyone of another color, gender, or identity than mine does. And that's part of the trap that a large block of my creative field kind of falls into when we try to be the good guy and make the right kind of stories. 

Such is the same with the whole transgender issue now coming to the forefront in American society with the revelations of former gold medal track and field star Bruce Jenner.

Bruce 1976

Caitlyn 2015





















Jenner, despite a large family and a successful career that attached itself to his masculine prowess and ability, has quietly struggled with something that I could never really understand; he's always felt like he was a she.

This is a nebulous area of confusion and discomfort for binary folk; men particularly. And it gets us on many different levels. But I'm not here to try and explain that, defend that, or even try and make sense out of it. Coming to terms with these things are our responsibility***, and not the goal of this rambling.

I will say this about Jenner, though...
Looking good, baby!
What I'm after is, maybe, just some understanding, and hopefully to find a way to explore and express the world around me through my choice of medium without hurting, maiming, or insulting.**** It's a tricky path we tread, these days, to be mindful of so many steps. Yes, I battle against my programming to accept, if not understand, all the new things that surround me that I'm so different from. And sometimes that can be a real hard obstacle to tackle.

But as I try to awkwardly explore these new alien worlds - to add to my own, please try to be patient with me. I'm not always going to get it right, but I am going to keep trying. I want to add your voices to the collective of those already in the worlds I create; so that we can all share in new ideas and expressions of our hearts and minds, together. It's just kind of scary, right now, because there's no manual for it, and none of us are really comfortable asking questions about it; or even what to ask.

And worse, no one wants to get his head lobbed off just trying to sneak a peek through the door...
_______________________________________________________________________________

*Personally, I hate the term. I mean, aren't we really talking about marriage equality, here?

**For the record, the new direction for Batman, like most of DC Comics... and some of the comic book world, in general - is shit. What is up with 21st century storytelling, these days?!

***I hate to say it, but it's a white man's world. Is that right? No. And it's not everyone else's job to justify and fight for a place in it. It's our job to move over and give you all the space you deserve. I'm doing what I can, but...

****One of the hardest things is to be a storyteller in a day and age where you feel threatened over cross fire and backlash  on any subject. And we've seen how public image, in the internet age, can be ruined literally in a day; sometimes for good. It's enough to scare some off forever. it almost did me.

Wednesday, May 6, 2015

From the Conductor: thinking of thinking and letting go of letting go...

Those of you who...

Oh, yeah, hi; I've reopened the Conductor's Office and have started getting things over at Neverland Transit Authority back on the track.I know I've been a way for a while, but there's been a big set of reasons; most notable, of course, being the events of last June through the end of the year. It's okay, I did a Stuff about it.

Anyway, for those that have put up with being my friend I'm sure they've noticed some odd and peculiar tumblings of my thoughts, as of late. I admit that it's been because the prognosis for my condition ended up not being... the most favorable... I could have hoped for. And that has left me with a lot of late nights with nothing but me and my thoughts. And as Miss J and I have been known to point out, no good can come from that.

Naturally, as I trip through my funk, good old Alan Watts reaches out from beyond his own time with some words of wisdom...


Of course, leaving your mind alone, and not thinking is easier said than done; when one has a mind built like mine - like Sarah Winchester was its architect. Of course, I'm not a whole load busy being enwrapped in the alternative, I suppose. So, I guess it's having a go and getting the old brain pan a touch empty.

Maybe it's not so much "there isn't a whole lot of time left" as "there's precisely enough time to not stay here". So, all aboard...?

Friday, September 5, 2014

From the Conductor: Meet the women of the Galactic Gun

Following my last post, and the continued upheaval in comics, games, and geekdom, I felt it would be a nice thing for me to introduce the core group of women in the two main Galactic Gun stories. (Yes, two. Three, eventually.)

So, here they will give you just a little insight into who they are, and what they are about. While they don't represent all the women within the world of the Galactic Gun stories, these nine do have a larger impact on Justin Bailey, and the place he calls home.




Friday, August 29, 2014

From The Conductor's Office: An Apology and a Promise...

I'm having to come to terms with the fact that my world... my culture... the geek culture... is built on white male privilege, rage and dismissal of others for... well... reasons?

It's horrific that we have become the very thing that I had assumed we were all in against; the marginalization of those not us - to the extent of death threats and the ruining of others whose only crime may have been timing, poor marketing choices, or a single bad decision.  

It is my desperate hope I have not been complacent in any of this. As a nerd and a geek I know what it is to grow up marginalized for being perceived as different; to the extent of bodily harm - though no where in the same realm as the monsters of today perpetrate in the name of geeks.

No, I had it easy compared to today.

But no amount of my "white knighting"- as I will no doubt be called out as -  no amount of my best hopes and intentions cannot insulate me from the actions of my peers and my fellow geeks and nerds. In both my attempt to hold aloft my ideals of who a geek or nerd is, and my outright denial, in some cases, of the situations over the past year has made me as guilty as those who would make threats - idol or not, harass, and demean those they deem as "not us" - because of gender, orientation, or culture. I have only to ask for the forgiveness of those who have suffered at the words and deeds of my fellow geek, and my steadfast promise that I will always work to make sure my ground is moral and high, my footing true.

I am currently combing through the Neverland Transit Authority catalog of projects to make sure that all my characters are portrayed the best they can be - hero or villain. The mechanics of storytelling, regardless of tradition, must be able to grow with the times and the understanding and acceptance of modern thinking. As in all things, just because that was how we used to do it doesn't mean we should keep doing it that way.

For me personally it has come down to this; we, the geeks, who spent our young and impressionable lives being victimized and demoralized for being different, for being a "fringe minority", are not obligated by our past to work for the fair acceptance and recognition of those "not us" - women, LGBT, different cultures, and different colors, but are morally commanded by the very nature of who we are, and were, to fight for it. Gaming, comics, scifi, and fantasy are now socially accepted norms in Western Society. We have power, now. And as we've been reminded by our own past; "with power comes responsibility. And with great power comes greater responsibility."

Our power has corrupted us. We have failed in our duty to our fellow geek. Indeed, we have failed to the world. We are not heroes. We are monsters; our nerd rage our teeth as we nash and wail out to protect something we do not own - something that belongs to all those who want it. And we should know better than to deny it to them. We sought acceptance in our youth of our way.  Now we turn against those that are now us like those that stood against us when we were young, new, and naive.

Neverland Transit Authority... no, I, Charles Irons.... stands for all that is good and right in Geek culture. In the mythos of my culture great leaders have risen to defend the weak, protect the innocent, and champion the rights of those who have none to stand for them. And in our real world many do the same, now, at great peril to their professional, and personal lives. I may have no right to stand with them, but I still stand in support of them.

And I will never be wrong, again.

Sunday, March 2, 2014

Making it happen: How to jazz up a photo

So, as part of my photo class this quarter I had to take an under exposed landscape picture and use Photoshop to help make it look better. of course, in my usual fashion, the How-I-Did-It part of the assignment took on as much a life as the actual assignment, itself. So, here for your pleasure and amusement is a quick tutorial on making a picture pop...

Step 1: Take the picture. In my case, hit downtown and capture an image of our most iconic structure; San Mateo county museum - formerly the old Redwood City city hall.


As you can see, this image needs a little bit of help. The building looks murky, the sky is flat, and there's not much life in this image, at all; making it hard to convey any sort of story or presence. To fix this we first need to isolate the building.


Step 2: Here I've used the Quick Selection Tool to isolate the building. Depending on the circumstances of your image you'll probably need to do some trimming of this here and there. It's going to take a little work, so don't be put off that it doesn't just get properly selected on the first pass.


Step 3: Open up Levels under the Image option in the tool bar. It'll be a side bar off Adjustments. From here you can drag the pointers on the histogram around to get the best balance. In my case, I brought up the white from 255 to 233 and the mid-range to 1.16. On the output levels I lowered black to 4 from 0.


Step 4: Under the same pull down I went to Vibrance and and knocked it up to 3 and the Saturation to 7. This was to help more with the color and tone of the bricking while maintaining the over all value of the highlights and shadows.


Step 5: Okay, it's getting there, but it's still not enough. We need to do something about the sky. So, grabbing my Quick Selection Tool, again, I selected the sky. As before, depending on the particulars of your own photo, you'll probably have to do some trimming and adding here or there. Don't skip it, though; pockets of unaffected area can really mess with the over all effect.


Step 6: To give the sky some real color and depth, I went up to Image, and opened Hue/Saturation in the Image Adjustment side menu. The sky was already the right lightness and the hue was already pretty good, so all I needed to do, here, was bump the Saturation up to 40.


Step 7: You know, it's started to look good, but the glare on this window throws the symmetry off a lot. And a photo out of balance, like this, can be distracting some. At first I tried to use the clone tool to fill in the windows from the adjacent matching window. But that proved to be too messy and didn't give me a good, tight, finish.


So, my work around was to just use the Square Marquee tool to select that adjacent window and make a copy on another layer. Then I took that copy and moved it on top of the original window. Pulling down the Edit menu, I went into Transform and did a Horizontal flip and then rotated it to get the bricks to line up. When I was done I highlighted the copy layer and the window slice layer and merged them. It's not required, of course, but I like to keep my layers neat and tidy. Plus it helps to prevent accidents like sliding, and such.

Step 8: It's almost done. But, that center window, because of the way it was shadowed by the morning storm weather light, is coming out dark; making it stand out and look out of place.


Here I took the Square Marquee tool and highlighted the affected area. I got lucky in that it was such an easy area to grab. Sometimes you'll have to use other selection tools, depending on the subject, area, and other needs. Here, under Image and Image Adjustment, I opened the brightness feature and just bumped up both Brightness and Contrast to get a better match to the two surrounding windows.

Step 8: Ta-da!


And here it is, the exact same picture with all the above edits. Here we have a really nice and vibrant image with good tones and an over all more lively feel to it. Just take a look...


Of course this is just an example for this particular photograph. However, no matter what you snap a picture of, the fundamentals are pretty much the same; to really breath life into any picture don't be afraid to play with the tools. Practice isolating different parts of your image and see how they effect the over all composition. Sometimes the smallest of changes can make the biggest of differences.

Happy shooting!